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Blue Magic

Of Scholarly Interest

I can recall eating a particularly delicious lumpia once, sometime in 2003, in a long-gone spot in downtown Seattle called the Vesper Lounge—at the original CD release for the self-released, self-titled album from Seattle crew Blue Scholars. The beer was cold, the lumpia hot, and the stage was nonexistent; rather, it was a cleared-out space […]

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Everyone Must Go

El-P Kills Live, Dead

Not long ago a good friend of mine (and fellow emcee) texted me from the much-beloved hiphop festival Scribble Jam: “Underground rap is boring as shit, why didn’t you tell me? I thought we were friends, man.” Yeah, it’s true, watching—or even listening to—90 percent of so-called underground hiphop is absolutely paint-dry compelling, almost as […]

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God Made Dirtbombs

… Dirtbombs Don’t Hurt

Mick Collins, you my nigga. For real, I owe you a Guinness, or three, for the glorious squall you and the Dirtbombs have brought to this black boy’s life. My brother Samson, a fellow funk/soul aficionado, put me up on your Beyond-Thunderdome 2001 covers LP Ultraglide in Black; he passed it to me admitting that […]

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High Wattage

Ohmega Watts’ Bright Funk

Brooklyn-bred, Portland-approved, Ohmega Watts is simply one of the finest practitioners of that easy, organic b-boy thump that bold boho brothers like Toronto’s K-OS specialize in. It’s the same style the Black Eyed Peas trafficked in (before popadelic Fergification launched them to previously undreamt heights of irrelevance), a seriously soulful strain first germinated by Tribe […]

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Gutterfly TNT!

Lifesavas’ Baadasssss Song

Fuck Kurt Russell. That real grindhouse shit is Portland’s own, specifically the brand-spank sophomore album from the Lifesavas, Gutterfly. Packing an 8-track swagger straight out of a Sig Shore Production, Bumpy Johnson (Vursatyl), Sleepy Floyd (Jumbo the Garbageman), and Jimmy Slimwater (DJ Rev. Shines) are three young hustlers roaming the streets of fictional Razorblade City, hungry […]

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Project English

Boom, Bap, Original Rap

IN WHAT WAS a huge move for the former Seattle-based (and current Portland residents) Boom Bap Project, their LP Reprogram was released earlier this year on indie-hop monolith Rhymesayers Entertainment, home of Atmosphere, Brother Ali, and the inimitable MF Doom. The disc rocked a simple menu of incisive bars, hard beats, and blistering cuts; straight-up […]

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