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Posted inAlbum Review

Album Review: The Sophisticated Sleaze of Menos el Oso Turns 20

Minus the Bear’s opus gets the deluxe treatment, heralding massive US tour

In the mid-2000s, Seattle was exploding with bands pushing genre envelopes: Schoolyard Heroes, Pretty Girls Make Graves, Kay Kay & His Weathered Underground, Mon Frere, Idiot Pilot, These Arms Are Snakes, The Blood Brothers, and so many more.ย  Among them were Minus the Bear, a phoenix band rising from the ashes of beloved Seattle hardcore […]

Posted inAlbum Review

Album Review: Helenโ€™s The Original Faces in the Rearview Mirror

From visionary Portland musicians Liz Harris, Jed Bindeman, and Scott Simmons, their 2015 LP is a mysterious road trip into the setting sun.

The experimental composer Liz Harrisโ€”best known as Grouperโ€”is Western Oregonโ€™s resident ghost, conjuring delicate whispers and heavy drones that have haunted the bioregion for two decades. Her work drifts between the otherworldly and the intimate, from acclaimed atmospheres on Dragging a Dead Deer Up a Hill (2008) and Shade (2021) to her electronic collage piece […]

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Album Review: The Barbaras Take Us For A Ride

Rollercoasters has it all: The ups and downs of yearning, self-awareness, and boobs! 

In your teens and 20s, thereโ€™s a pervasive feeling that love and having your shit figured out will undoubtedly happen for you in some distant future, manifesting out of nowhereโ€”or somewhere, depending on your style of falling in love and problem solving.ย  On Rollercoasters, The Barbaras remind us itโ€™s okayโ€”and often more funโ€”to not have […]

Posted inAlbum Review

Album Review: Portland Band Obedient Refuses Complicity onย Rastafarsi

No edits, no clicktracks, just 22 minutes of raw feminist punk.

As punk rock emerged in the 1970s, it was an act of defiance, rebellion, and disobedience. A middle finger to the status quo, scaring the normies. Eventually, like everything else, it got co-opted by capitalismโ€”becoming a lifestyle brand, packaged, and sold to the masses for safe consumption.ย  But every now and then, a band comes […]

Posted inAlbum Review

Album Review: Michael Hurley Says Goodbye on Broken Homes and Gardens

The legendary Oregon-based outsider folk icon finished his final album just before his April 1 passing.

โ€œIn A Dressโ€ is the last song on Broken Homes and Gardens, the final album Michael Hurley made before he passed away on April 1. Making that particular trackโ€”future posthumous releases notwithstandingโ€”the conclusion of one of the great recording careers of the past century. A strong argument for outsider folk and fierce independence, and the […]

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Album Review: The OO-Rayโ€™s Marginals Is a Sonic Vigil

Portland experimenter Ted Laderas meditates on forgotten disasters through distorted cello and droning electronics.

In the wake of the 2011 earthquake and tsunami that devastated Japanโ€™s Tลhoku region, a resident of the small town of ลŒtsuchi opened a public telephone booth in his garden. Inside, a disconnected phone invited visitors to speak their grief aloud, carrying on the wind painful stories that would be near-impossible to let rest anywhere […]

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Album Review: Norway’s Mortiis Live at Enchanted Forest and Star Theater

Dark Dungeon Synth for your next D&D adventure.

Seminal Norwegian black metal band Emperor formed in 1991 with bass player and lyricist Mortiis at the helm. Mortiis recorded two acclaimed EPs with the band: Wrath of the Tyrant and Emperor, later compiled as Emperor/Wrath of the Tyrantโ€”but by the time Emperor started work on their debut full length, Mortiis had stepped away to […]

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Album Review: Zipperโ€™s Turning 50. Have You Heard It?

Fred Cole’s hard-rocking ’70s slab deserves fresh ears.

Even the most dyed-in-the-wool Portland music historian can be forgiven for letting Zipper slip through the cracks. After all, thereโ€™s so much of Fred Coleโ€™s music to keep track of (and thank goodness for that!)โ€”from the 1960s psychedelia of the Weeds and the Lollipop Shoppe, to the glorious, shambling rock he made with wife Toody […]

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Album Review: Holy Sonsโ€™ Fourth Entry in the Lost Decade Series

Memory-making, music to be nostalgic for in the future.

“What it means to be [an] amorphous teenager and not know what you’re becoming, and that kind of moment of potential magic that I think everybody has.” So says Emil Amos, the prolific artist behind Holy Sons, opening the first episode of his podcast, โ€œDrifter’s Sympathy.โ€ย  “I wanted to delve into [the] atmosphere and romance […]

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The Pure Moods of Brian Eno, Enya, and Bike Summer

The August 14 ride will be a chill one, featuring sounds from the famed ’90s compilation. 

A few nights ago I biked the Springwater Corridor at dusk as kids were scrambling into an abandoned industrial site on the waterfront. I slowed, hearing an unmistakable hiss. Someoneโ€™s hand lit up, holding a brown orb at the end of the fuse. Out of sight, a femme laughed a little, before urging the ignitor […]

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Album Review: Digging in the DRRT with Lost Lander

A look back at the band’s expansive 2012 debut.

โ€œYou can never go home,โ€ sings Matt Sheehy during the climax of โ€œAfraid of Summer,โ€ a familiarย warning on the dangers of revisiting the past. Itโ€™s one of several songs on DRRTโ€”the 2012 debut album from Sheehyโ€™s band Lost Landerโ€”that grapple with finding oneโ€™s place in the universe and locating the balance between past, present, and […]

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Album Review: Charlie Hiltonโ€™s River of Valentines Is Ghost-Pop On the Breeze

The Blouse vocalist crafts 28 minutes of lo-fi hush with sunlit mystique, flashes of harpsichord.

In Peter Weirโ€™s 1975 film Picnic at Hanging Rock, a group of boarding school girls in Victorian-era Australia don white lace, twirl parasols, and craft elaborate valentines before some of them vanish behind a boulder on a searing summer day, never to be seen again. Charlie Hilton, best known as the vocalist for the woozy […]

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