Thereâs a moment on Monthsâ new album Black Hats for War that epitomizes the Portland post-punk quartet.
That moment is a split second between songs. The albumâs seventh track, âGolden,â spends 199 seconds building and building, from gently strummed guitar and whispered voice to a roar of thick, distorted riffs.
Then, with almost no break at all, the eighth trackâa sub-two-minute punk blast called âThroatââkicks in at top speed and volume. Itâs such an abrupt beginning, it feels at first like your listening device of choice has malfunctioned and youâve dropped into the middle of a song. Itâs disorienting, but also a pleasant case of whiplash once you get your bearings.
And thatâs Months: A band that never sits still while keeping you on your toes. To be clear, thatâs a wonderful quality for a rock band.
Black Hats for War is Monthsâ second album, and itâs bigger, burlier, and more robust than 2015âs self-titled effort. Over the past two years, Months have honed their sound; they are taut but pliable, powerful but not showy, and catchy without sacrificing intensity.
Opening track âGruesomeâ hurtles forward with confidence, a tightly wound bundle of guitars that bend and bristle. âMonthâ takes a more aggressive approach, draping distorted squall across drummer Will Hattmanâs hyperspeed rhythms. Hattmanâs stickwork is absolutely vital to Monthsâ version of controlled chaos.
At times, the band delivers cool avant-pop-rock Ă la Sonic Youth. At others, the guitar interplay of Wilson Vediner and Aaron Miller recalls the woozy chimes of early Modest Mouse. And Courtney Sheedyâs bass lines drive much of Monthsâ restless motion, as evidenced by âShadowing,â a seething rager with heart, and âCardiac,â which may be Black Hatsâ peak.
The album ends with âSplit,â a perfect encapsulation of Monthsâ impressive ability to make bracing music that spits out shards of noise and scraps of melody as it rolls along. Itâs a potent blend, one that eludes many bands. But not Months. Black Hats for War is a must-hear for anyone who misses the glory days of urgent, unkempt indie rock.