THURS JAN 31
The Lemon Twigs, Jackie Cohen
Itâs probably a little too late to be awarding year-end superlatives, but the Lemon Twigs were the most overhyped indie rock band of 2018. Some critics were quick to declare the groupâs latest LP, Go to School, a power-pop masterpiece, but it is not. Go to School is a spiritually inert, hour-long concept album about a monkey who goes to school, a premise apparently conceived by two adults. (The adults in question are brothers Brian and Michael DâAddario, sons of super-successful session player Ronnie DâAddario.) At its absolute best, Go to School evokes Ray Daviesâ turgid, occasionally inspired mid-â70s concept albums with the Kinks (particularly 1975âs Schoolboys in Disgrace). At its worst, Go to School comes off like the DâAddario family flaunting their limitless recording privileges and impressive Rolodex. (Todd Rundgren and Big Starâs Jody Stephens both make guest appearances.) Beneath the flashy veneer, these songs just sound like an A.I. unit trying to make sense of classic pop songcraftâand itâs beginning to seem like the machines might actually replace us. (Wonder Ballroom, 128 NE Russell, 8:30 pm, $15-18, all ages) MORGAN TROPER
The Cabin Project, Camp Crush, DJ Anjali and the Incredible Kid
Helmed by married duo Jennifer Deale and Chris Spicer, Camp Crush is a project with a polished sound thatâs heavy on silky synths, skyscraper melodies, and a grand sense of drama. Tonight theyâre celebrating the release of a new four-song EP, Run, which is an impressive throwback to lush â80s pop. As for the Cabin Project, the veteran Portland quartet will celebrate its new album Decenter. Expect multi-part harmonies, horizon-wide vibes, and plenty of cozy roots-pop songs augmented with beautiful string sections. This stuff is well traveled but tuneful, and deeply relatable yet ambitious. (Doug Fir, 830 E Burnside, 9 pm, $12) BEN SALMON
FRI FEB 1
Kiss
For nearly half a century, Kiss has been one of rock ânâ rollâs biggest and most divisive bands, and this year, they say theyâre calling it quits. For many, this day couldnât come soon enough. But for millions of people around the world, Kissâ demise will leave a strange and sudden void. Thatâs not hyperboleâKiss fans are nuts. I know because I am one. Okay, I donât have an entire room dedicated to the band, and neither of my kids is named Frehley (though that does have a nice ring to it), but for better or worse, Kiss has been a constant in my 45 years on Earth. Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss formed the band in New York in 1973, donning black leather and striking makeup that reflected their individual personas. The whole thing couldâve easily fallen on deaf ears (and blind eyes), but by the late â70s, Kiss had ascended to the greatest heights of stardom, only to find it crashing down around them a few years later. Being savvy businessmen, they took off the makeup and made a decent run in the â80s and â90s, which set up their massive and inevitable reunion tour in 1996. That ride was short-lived, as Frehley and Criss would again exit the band, (but not before an initial âfinal tourâ); then Tommy Thayer and Eric Singer stepped in with their makeup to keep the Kiss machine rolling for years to come. Which brings us to 2019. Am I going to feel a void? Nah. Itâs time. Itâs been time for a while. People will continue to find reasons (some warranted) to make fun of Kiss... and I will probably keep defending them. That says a lot about the band. And me. (Moda Center, 1 N Center Ct, 7:30 pm, $41.50-997, all ages) MARK LORE
Yuvees, Martha Stax, Tom Ghoulie, Rain Cult
Martha Stax has a limited internet presence and, disappointingly, no music currently available online, but theyâre quickly becoming one of Portlandâs hardest-working bands. With their subtly sardonic live presence and borderline discordant anti-pop songs about posers and bro intellectuals, Martha Stax could be perceived as Portlandâs contribution to the burgeoning Devo-core movementâan exhilaratingly weird punk sub-genre with roots in the Midwest that our corner of the country has been slow to embrace. It will be interesting to see how Martha Staxâs music manifests on record; hopefully they release something soon to capitalize on all the local momentum theyâve generated. (The Fixinâ To, 8218 N Lombard, 9 pm, $7) MORGAN TROPER
Interpol, Sunflower Bean
Sunflower Bean masterfully infuses all things weird and whimsical into their gripping, distorted indie rock. The band says New Yorkâs DIY scene helped shape their sound, and the same goes for tonightâs headlinerâInterpol drastically changed the direction of alternative rock with their unforgettable 2002 debut, Turn on the Bright Lights. Both bands released new music in 2018, so prepare to enjoy some fresh tunes from two former DIY darlings who made it big. (Keller Auditorium, 222 SW Clay, 8 pm, $34.50-59.50) ANNA KAPLAN
Eyelids, Federale
Proving once again theyâre one of the most prolific bands in Portland, Eyelids have a busy year ahead of them. On the heels of 2018âs half-studio, half-live album Maybe More, tonight the band is releasing a two-song 7-inch as part of a US tour kickoff. Eyelids was in the studio this past December tracking their forthcoming third album, The Accidental Fallsâa Peter Buck-produced collaborative record that will feature lyrics from the legendary poet Larry Beckett (who has, in the past, written for Tim Buckley). (Mississippi Studios, 3939 N Mississippi, 9 pm, $14-16) RYAN J. PRADO
Efrim Manuel Menuck
Godspeed You! Black Emperor founder Efrim Manuel Menuckâs second solo album, Pissing Stars, was inspired by Entertainment Tonight personality Mary Hartâs mid-â80s romance with Mohammed Khashoggi, son of oilman-cum-arms dealer Adnan Khashoggi. The fitful exultations of GY!BE do not exist at this intersection of wealth and fame and terrestrial devastation. Instead, Menuck summons plaintive drones and ghostly chants to transform a tabloid love story into a late-capitalist lament. Pissing Stars isnât a slow riot or a skinny fist lifted to heaven, but a sad howl sent up to the sharp sliver of a waning moon. (Polaris Hall, 635 N Killingsworth Ct, 8 pm, $12-15) CHRIS STAMM
Ascended Dead, Ossuarium, Cavurn, Autophagy
2018 was a marquee year for 20 Buck Spin. Instead of listing the many great titles the Olympia record label released last year, letâs just say they had their finger on the pulse (or lack thereof) of underground death metal across the globe. Itâs already shaping up to be another inimical year: This month 20 Buck Spin will release Portland band Ossuariumâs crushing debut LP, Living Tomb. Ossuariumâs first album is old-school doom at its ugliestâthe kind of rancid death metal you can almost smell, inspiring slow, punishing terror and visions of oozing black goop burping up from a forgotten crypt somewhere deep in the forest. Song titles like âVomiting Black Death,â âWrithing in Emptiness,â and âMalicious Equivalenceâ will have you shitting your pants before the first pestilent note is even struck. (Tonic Lounge, 3100 NE Sandy, 8:30 pm, $13) ARIS HUNTER WALES
FRI FEB 1-MON FEB 4
Oregon Symphony, Gregory Dahl, Chelsea Duval-Major, John Easterlin, Maeve Höglund, Jenny Schuler, Yungee Rhie, Pacific Youth Choir
The Oregon Symphony teams up with six brilliant guest vocalists and the Pacific Youth Choir to present Hansel and Gretel, Engelbert Humperdinckâs 1892 opera inspired by hungry siblings and cannibalistic witches. Not only will projected supertitles translate the original German lyrics in real time, but this Brothers Grimm tale will also be interpreted through shadow puppetry hovering above the stageâa feast for the eyes accomplished by vintage overhead projectors, multiple screens, puppets, and actors from the Chicago-based performance collective Manual Cinema. (Arlene Schnitzer Concert Hall, 1037 SW Broadway, 7:30 pm, $24 & up) BRIAN HORAY
SAT FEB 2
Bob Seger and the Silver Bullet Band
Color me un-American, but Iâve never liked Bob Seger. When I was rolling in leagues, I named my bowling ball âBob Seger, the Silver Bullet Ball,â because I felt it best to roll with hate. Every time I hear Segerâs music, all I can think of is a young Tom Cruise prancing around in his socks and underwear and the cheesy Chevrolet ad campaign from the early â90s that featured âLike a Rock.â But Bob Seger is an American icon, and cynical ding-dongs like me donât get to discount him too much. If youâre any kind of fan, this is apparently your last chance to catch him. (Moda Center, 1 N Center Ct, 7:30 pm, $69-374.53, all ages) ARIS HUNTER WALES
Tracyanne & Danny, Photo Ops
Tracyanne Campbell and Danny Coughlan arenât necessarily household names, unless your household is well versed in elegant European pop music. Campbell is better known for her prominent role in Scottish indie-pop band Camera Obscura, while Coughlan, a Brit, records soulful ballads under the name Crybaby. Together, they make beautiful music that reflects both their main projects, and their debut album as a duoâsimply titled Tracyanne & Dannyâwas one of 2018âs loveliest listens. Smooth, patient, and endlessly tuneful, itâs a must-hear document of what can happen when two skilled and experienced songwriters fit together seamlessly. (Polaris Hall, 635 N Killingsworth Ct, 8 pm, $17-20) BEN SALMON
Mic Capes, Zyah Belle, Mal London, Bocha
Thereâs not nearly enough hip-hop shows happening in North Portland, but hereâs one: According to a press release, Cabin Fever is âthe first of many shows this year that Mic Capes will be throwing and curatingâ at the Fixinâ To in St. Johns. Itâs hosted by Shrista Tyree, and the first lineup is great. Thereâs local staples Capes and Bocha, but Iâm most interested in catching sets from the artists Iâve never seen before: Sacramento-based singer Zyah Belle and local hip-hop/R&B artist Mal London, who is also a producer. His Soundcloud tracks like âSoul Foodâ already piqued my interest, but his most recent Kcoyi-directed music video âWayvmodeâ is what sold me even more. (The Fixinâ To, 8218 N Lombard, 9:15 pm, $10) JENNI MOORE
MON FEB 4
Hippo Campus, Now Now
Do not be repelled by Now, Nowâs emo past-life, as I once foolishly was: The Minnesota duoâs Saved was one of the best albums of 2018. Standout tracks âSGLâ (an abbreviation for âshotgun loverâ) and âAZâ (like the hot state) are understated pop masterpieces, with KC Dalagerâs voice breezing over catchy synth melodies and Brad Haleâs adrenaline-charged drumbeats. Itâs the perfect music for angsty scream-singing with the windows down (so I guess Now Nowâs still a little emo after all). (Crystal Ballroom, 1332 W Burnside, 8 pm, $26-28, all ages) CIARA DOLAN
Richard Thompson Electric Trio, Ryley Walker
Ryley Walkerâs 2018 gem Deafman Glance was a sordid, jazz-flecked dissertation on his Chicago home, alternatingly warm and revealing even when it was overtaken by his interpretive guitar freak-outs. For the irreverent songwriterâs November follow-up, he did a full-album cover of Dave Matthews Bandâs lost 2001 record, The Lillywhite Sessions, in what could be a glimpse into the musical roadmap that took Walker from disillusioned, ska-loving suburban punk to the sardonic troubadour he is today. Heâs one of the most interesting artists zig-zagging the country right now, and his opening slot with Richard Thompsonâs Electric Trio ought to expose his strange brand to a whole new audience. (Revolution Hall, 1300 SE Stark, 8 pm, sold out) RYAN J. PRADO
WED FEB 6
Orquestra Pacifico Tropical, Amenta Abioto, Brown Calculus
When they met a few years ago, Andre Burgos had been making music as Brown Calvin, and Vaughn Kimmons went by the moniker Brown Alice. They joined forces to become Brown Calculus, and together they make slow, simmering electronic soul with cosmic influences. Tonight at Holocene, theyâll play with singer/songwriter Amenta Abioto, who performs looping sonic art pieces, and Orquestra Pacifico Tropical, a 11-piece psych-rock cumbia collective whose members hail from Portland bands Bitchân and MĂĄscaras. (Holocene, 1001 SE Morrison, 8 pm, $10-12) ISABEL LYNDON
Long Hallways, Volcanic Pinnacles, Gazelle(s)
Read our review of Long Hallwaysâ new album. (Mississippi Studios, 3939 N Mississippi, 8 pm, $5)
THURS FEB 7
Cowboy Junkies
The one time I saw the Cowboy Junkies, I fell asleep. My momâs friend had bought us tickets to see them in Seattle for âThe Caution Horsesâ tour, with Townes Van Zandt opening the show. I was seven years old. They likely played songs off their then-recent breakthrough, The Trinity Session, an album that, 30 years after its release, still holds up as one of the best alt-country records of all time. Each time I hear it, I remember drifting in and out of consciousness, Margo Timminsâ voice pulling me between dreams and reality. (Revolution Hall, 1300 SE Stark, 8 pm, sold out) JOSHUA JAMES AMBERSON
The Thesis: Swiggle Mandela, Marco Pavé, 1 Young Micah
Remember last May, when Swiggle Mandela took a piss on a Willamette Week newspaper in his ruthless music video for âDear Willamette Weekâ? The song basically told them to STFU when it comes to hip-hop and took shots at their lack of coverage of gentrification, and meanwhile, all of us over at the Mercury just waited quietly to see if weâd be next in line to get dragged? [SIGH] Good times! Well, now the outspoken Portland rapper is headlining the Thesis, which is an otherwise very non-Portland bill: Marco PavĂ© is coming from Memphis to play his set, and 1 Young Micah is here from New Orleans. (Kellyâs Olympian, 425 SW Washington, 9 pm, $7) JENNI MOORE
Thurs Feb 7-Sat Feb 9
Torment Is Flesh
Read our story on Torment Is Flesh. (Tonic Lounge, 3100 NE Sandy, 9 pm, $30-85)
FRI FEB 8
Fiji, Sly and Robbie, The Taxi Gang with Bitty McClean
In the early â70s, Sly Dunbar was working as a studio musician in his hometown of Kingston, Jamaica, where heâd already drummed for Lee Perry and played on an Upsetters track. When he met Robbie Shakespeare, one of Kingstonâs most sought-after bass players, the two clicked. Over the duoâs multi-decade partnership, Sly and Robbie have worked with Peter Tosh, Grace Jones, Gregory Isaacs, Joe Cocker, Joan Armatrading, and more. Remember that Chaka Demus and Pliers song âMurder She Wrote?â Thatâs a Sly and Robbie sample. (Aladdin Theater, 3017 SE Milwaukie, 9 pm, $30, all ages) ISABEL LYNDON
Broncho, Pinky Pinky, Oh Rose
It seems like every other band that captures more than its fair share of buzz comes from a big city. This is understandable, but it also means acts like Bronchoâa fine pop-rock combo from little olâ Tulsa, Oklahomaâare often left to toil in the shadows. The solution? Record killer albums and tour like crazy so people have no choice but to pay attention. For nearly a decade, Broncho has been one of Americaâs great (if underappreciated) purveyors of poppy guitar rock, and their new album Bad Behavior finds them mixing in more beats, more â80s vibes, more echo, and more danceableness. Thatâs not a word, but then again, neither is Broncho. (Mississippi Studios, 3939 N Mississippi, 9 pm, $17-20) BEN SALMON
FRI FEB 8 & SUN FEB 10
CRITICâS PICK: Adrianne Lenker, Luke Temple, Joshua Thomas
The details of Adrianne Lenkerâs 27 years on Earth are stranger than fiction: In interviews Lenker has described how she was born into a religious cult in Indianapolis, moved around the Midwest frequently throughout her youth, and at one point was being groomed for child pop-stardom. Now sheâs the frontwoman of the wildly popular indie folk-rock band Big Thief and has spent most of the past three years touring the world, nomadic once again. Big Thief songs like âMythological Beautyââwhich recounts a near-death experience from her childhood involving a railroad spike and a head injuryâare like grainy Polaroids capturing moments in the same fragmented, slightly distorted way the brain retains memories. Lenkerâs songwriting opens windows into other universes; thereâs so much going beyond our view, but weâre only able to stand at the threshold peering in. Recorded in West Marinâa deceptively peaceful swath of California countryside that sits atop the San Andreas FaultâLenkerâs new solo album abysskiss is a collection of musical vignettes that open these universe-windows with just a few guitar notes, while her mind ambles through passing thoughts and observations like wind rippling through a field. Lenkerâs music is also deceptively peaceful; thereâs untold power thrumming behind songs like âsymbolâ and âout of your mind.â (Fri Feb 8, Polaris Hall, 635 N Killingsworth Ct, 8 pm, sold out, all ages; Sun Feb 10, The Old Church, 1422 SW 11th, 8 pm, sold out) CIARA DOLAN
SAT FEB 9
Year of Asé: Guayaba, DJ Larsupreme
Ori Gallery, a North Portland space dedicated to showcasing the art of Black, Indigenous, and QTPOC artists, is celebrating one year of steadfast work! Join them at this gathering of creatives and community partners, with plenty of fundraising opportunities to directly support them. Enjoy performances by experimental Afro-Latinx musician Guayaba, DJ Larsupreme, and House of Floraâs Bouton VolontĂ©, with hosting from Carlos the Rollerblader. (Disjecta, 8371 N Interstate, 6 pm, FREE, all ages) EMILLY PRADO
Zyanose, Lebenden Toten, Frenzy, Physique
Itâs easy (and admittedly kind of fun) to crack wise about crust punk and its peacocking adherents, but this lineup of Discharge descendants pushes the trusty formula so far into the red that they break through to a realm beyond reproach. From Physiqueâs coiled, Doom-laden attacks to the distortion-worshipping storms of Japanâs Zyanose, tonightâs blistering showcase will reach deafening intensity. You might not be able to hear anything tomorrow, which will be okay: Youâll have already experienced the end of music. (Black Water Bar, 835 NE Broadway, 7 pm, $12, all ages) CHRIS STAMM
Y La Bamba, SĂĄvila
Y La Bambaâs newest single, âMujeres,â remains the most powerful response to the machismo bullshit of 2018. As we enter a new year, allow Luz Elena Mendozaâs invincible, ethereal vocals and her Portland bandmatesâ dynamic rhythms light the way. Y La Bamba will be joined by another local group with Mexican roots, SĂĄvila, with melodies that give classic cumbia beats a Portland spin. (Revolution Hall, 1300 SE Stark, 9 pm, $16-18, all ages) ALEX ZIELINSKI
Drama, Chanti Darling, Claire George
Comprising vocalist Via Rose and producer Naâel Shehade, Chicago-based duo Drama makes a moody blend of electronic soul, pop, and house music. Dramaâs already reason enough to pile into the Wonder Ballroom, but with Portlandâs own retro-futurist disco and soul outfit Chanti Darling also on the bill, this show is surely one of the most fun ways to get warm this weekend. (Wonder Ballroom, 128 NE Russell, 9 pm, $15-17, all ages) JENNI MOORE
SUN FEB 10
King Tuff, Tropa Magica, MĂĄscaras
Kyle Thomas wrote his 2018 album The Other after an identity crisis left him feeling disconnected from King Tuffâthe âparty monsterâ alter ego heâd assumed on his previous three records of grimy, glammy rock ânâ roll. In an interview with the Mercury last year, Thomas explained that the inspiration for his new album is âkind of indescribable, and thatâs what makes it âother.â You canât really pin it down, but itâs there, I know itâs there. Sometimes you get an idea or a flash of something and youâre like, âWhere did that come from?â Itâs the beyondâthatâs what Iâve always been after.â Throughout The Other, Thomas contemplates the cosmos and ditches the guitar solos for Sun Ra Arkestra-inspired horns and warm organ tones. King Tuff is dead; long live King Tuff! (Wonder Ballroom, 128 NE Russell, 8:30 pm, $18-20, all ages) CIARA DOLAN
Wiz Khalifa, Curren$y
Wiz Khalifa is expected to put out a joint album with New Orleans rapper Curren$y this year, so it only makes sense that theyâve decided to go on a 22-date North American tour together. Theyâll probably be playing new shit, and definitely some stuff from their joint How Fly mixtape from 2009. And we wonât have to wait long to see the live collab: After kicking off in Seattle, Portland is just the third date on the trek. (Roseland, 8 NW 6th, 8 pm, $39.50-250, all ages) JENNI MOORE
TUES FEB 12
Tangerine, Wet Dream
Tangerineâs sisters Marika and Miro Justad have been making music with Toby Kuhn since childhood, and in 2017 the trio moved from Seattle to LA. Their latest EP, White Dove, contains breezy, glittering pop, but adds an air of maturity and â80s influences. The anthemic âCherry Redâ highlights the trials and tribulations of navigating your 20s, backlit by twinkling keys and melodic guitars. (Doug Fir, 830 E Burnside, 9 pm, $10-12) ANNA KAPLAN
Steve Gunn, Meg Baird
If seeing two pillars of the psychedelic folk-rock underground perform on one stage sounds like your kind of thing, then the Aladdin Theater is your destination tonight. Meg Baird is a multifaceted musician who established herself as the spectral voice of beloved Philly band Espers, and who more recently could be found fronting West Coast psych supergroup Heron Oblivion and playing alongside adventurous harpist Mary Lattimore. Steve Gunn, on the other hand, is a guitar hero riding an incredible streak of excellent albums full of woozy and winsome Americana. His latestâThe Unseen in Betweenâfurther illuminates his drive to conquer worlds far beyond the one built around fingerpicked acoustic guitar. (Aladdin Theater, 3017 SE Milwaukie, 8 pm, $18-20, all ages) BEN SALMON