“Pop music is contagious,” says Carolyn Berk of Lovers. “I
really love the way music can cling to you. I guess I’m interested in
putting little messages in musicโ€”philosophical or
personalโ€”and then making them accessible.” The new Lovers album,
I Am the West, is filled with messages, but they’re dressed in
hooky, heartfelt frivolity, and Berk’s introspective lyrics are made
airy with modern, danceable rhythms. “Basically what I want to do,
first and foremost, is communicate,” she says. “That’s why I choose
music as the medium I’m most interested in working in, because I feel
like it has such massive potential to connect people.”

Berk started Lovers as an art student in Athens, Georgia, and the
band’s lineup over the years has revolved around whomever Berk was
working with at the time. The excellent I Am the West is the
work of Berk and producer/multi-instrumentalist Suny Lyons, and it’s a
pop album through and through, but it’s markedly different from what
Lovers has done before. Gone are Berk’s acoustic confessionals and
hushed, candlelit lamentations; in their place are Lyons’ bright,
synth-laden arrangements and poppy beatsโ€”with Berk’s defiantly
emotional songwriting lending the songs a gut-wrenching power.

I Am the Westโ€”the title refers to Berk’s relocation to
Portland four years agoโ€”doesn’t represent a shift in Lovers’
stylistic direction so much as an expansion of its musical palette.
Berk is maintaining different lineups of the band: One version of
Lovers, including musicians Eric Lucas and Eric Kuehne, keeps in line
with the acoustic-based music that older Lovers fans are familiar
withโ€””farmer music,” as Berk calls it. But Berk is also fronting
a new, all-female lineup of Lovers that features musician Emily Kingan
and performance artist Kerby Ferris. With programmed beats and Ferris’
dance moves, it’s “a work in progress,” Berk explains, one that
showcases Lovers’ blossoming electro side.

To add to the confusion, there’s also a third variation on
Loversโ€”a multimedia art project that’s a collaboration with Tim
Karpinski of Together Galleryโ€”and the three versions barely cover
the expanse of Berk’s output. “I write three songs a day,” says Berk.
“I’m obsessed with writing songs. It’s difficult in terms of the
business-y aspect because there’s this way people are supposed to run
their musical careers. And I’m trying to work with that because I know
it’s important. But I have a difficult time with it creatively because
I keep moving forward.”

For Lovers’ upcoming show, the all-girl electro version will be
showcasing the side of the group that’s displayed on I Am the
West
. Although the album only came out a few short weeks ago, it’s
made up of songs Berk has been working with for a while. In fact, Berk
and Lyons actually recorded two separate versions of the album before
arriving at the final product.

“This album still has some of that sadness and darkness in it,
because I was coming out of my 20s, which were pretty dark,” says Berk.
“But now that I’ve turned 30 I’ve become the biggest optimist.
Everything since then has been a lot brighter. So this album dictates
that shift. It’s beautiful to see the turning point in my own
lifeโ€”all that singing as an act of prayer finally worked.”

Lovers

Wed May 20
Branx
320 SE 2nd

Ned Lannamann is a writer and editor in Portland, Oregon. He writes about film, music, TV, books, travel, tech, food, drink, outdoors, and other things.