KARMA RIVERA Credit: ADOLFOCANTรš VILLARREAL

Okay, Portland. I need to begin this weekโ€™s column by berating those of you who havenโ€™t bought tickets to Jay-Z. Seriously: Why are there hundreds of blue dots representing empty arena seats for his show at Moda Center on Thursday, December 14? 4:44 was beyond excellent and his setlist is all hits! Why wouldnโ€™t you spend $28 (plus fees) to see none other than Hov himself? This is why we canโ€™t have nice things! You always embarrass me in front of Beyoncรฉ!

Whew, now that Iโ€™ve got that out of my system, letโ€™s focus on local news: This week the two-day Portland Oregon Hip-Hop Festival returns, the Thesis celebrates its three-year anniversary, and there’s an all-ages Chill-Out Benefit Concert on Sunday, courtesy of Friends of Noise. But first, letโ€™s acknowledge the dopeness of Portland rapper Karma Riveraโ€™s latest music video, โ€œEverybody Watchin.โ€™โ€

Though Rivera has yet to drop a debut LP, sheโ€™s already become one of the cityโ€™s most visible hip-hop performers. Sheโ€™s known for her high-energy sets, straightforward bars, fly athleisure, and cocky onstage antics. Almost a year ago she headlined Girl Fest NW, and she rocked PDX Pop Now! over the summer.

Riveraโ€™s music feels like an authentic, fluid portrayal of her personality and style. And sheโ€™s not afraid to switch things upโ€”instead of her usual DJ (Ms. Renee Lopez), Rivera recently played shows with backing band the Heavy Hustle. In many respects, she kind of reminds me of Cardi B; she talks her shit with confidence and wit but recognizes that sheโ€™s still a student of the game and isnโ€™t afraid to let her audience witness her growth.

And her new music video definitely shows growth. Directed by Mexican filmmaker Adolfo Cantรบ-Villarreal, it boasts the best visuals of any of Riveraโ€™s videos. In addition to music videos, Villarreal has experience with narrative, documentary, and commercial workโ€”and when he moved to Portland last year, he saw an opening.

โ€œI like to mix up my work, but as an immigrant, it is important for me to tell the stories of people that normally donโ€™t get in the spotlight,โ€ he says in a press release. โ€œArriving in Portland, I felt that there are many opportunities to tell these stories.โ€

Villarreal and Karma clicked when they met at a community event that I also happened to be a part of this past summer at Open Signal, The Happening 2017: Portlandโ€™s Love/Hate Relationship with Hip-Hop.

โ€œDuring the Q&A I brought up how I noticed a gap between the immigrant community and the arts community, and how it was important that we close that gap to get a richer community,โ€ Villarreal writes. โ€œKarma looked right at me and said, โ€˜Letโ€™s talk!โ€™ It kicked off from there, and soon after we started brainstorming and talking ideas for a video.โ€

The video for โ€œEverybody Watchinโ€™โ€ centers on girl time at the crib, complete with a poker game, cocktails, and sauna sessions (sounds like a recipe for disaster to me, but it looks gorgeous).

โ€œFor me it was important to hear Karmaโ€™s ideas and enhance them with my own skillset with the camera and translate her style and energy into a great music video,โ€ Villarreal says, โ€œand I think we succeeded.โ€

Jenni Moore is a former music editor and hip-hop columnist and current freelancer at The Portland Mercury. She also writes about comedy, cannabis, movies, TV, and her hatred of taxidermy.