R.LUM.R. Wed 2/14 Doug Fir Credit: Nolan Knight

I donโ€™t want to break any more hearts, but… despite my writing a column dedicated to the local hip-hop scene, hip-hop is not my favorite genre. I listen to a lot of hip-hop and rap, yes, but nothing tickles my fancy quite like some smooth R&B, rough R&B, or anything resembling soul music. Whether itโ€™s โ€™90s or contemporary R&B, alt-R&B, indie R&B, neo-soul, or the poorly named PBR&B, itโ€™s more than likely Iโ€™ll at least mildly enjoy it.

Lucky for me, Portlandโ€™s R&B scene has been blossoming beautifully over the past few years: Soulโ€™d Out Music Festival lineups continue to impress, Tyus keeps releasing quality stuff via Warner Bros. (including his newish EP Phases), and then of course thereโ€™s Blossom, whose artistic growth has been a joy to watch. Though unfortunately our local Queen B isnโ€™t playing a show on V-day this year, Blossom recently announced that sheโ€™s partnering with No Vacancy Lounge, where sheโ€™ll live out her longtime dream of being a resident jazz singer.

Anything falling under the giant R&B umbrella is the perfect soundtrack for Valentineโ€™s Day, whether youโ€™re cuffed or flying solo. Sultry soul can certainly enhance you and your partnerโ€™s sexy time, or if youโ€™re super single (like me), you can instead go on a date with yourself and develop a harmless crush on an R&B singer. Here are three ways to include R&B in your Valentineโ€™s Day plans.

R.LUM.R

Born Reginald Lamar Williams (and FKA Reggie Williams), R.LUM.R has become increasingly famous for his stellar falsetto, as showcased on his insanely popular single โ€œFrustrated,โ€ which has now exceeded 31 million streams on Spotify. The songโ€™s lyrics arenโ€™t even about a love interest (Williams actually wrote it to himself as he struggled with a decision to move from Orlando to Nashville to pursue music), but he sings it with such passion that youโ€™d never be able to guess. Other highlights include 2016โ€™s longing โ€œTell Me,โ€ and the ultra-moody โ€œNothing New.โ€ Though heโ€™s widely considered an R&B artist, Williams cites Linkin Park, Elliott Smith, John Mayer, and Fleet Foxes as some of his biggest influences. Hereโ€™s hoping the Nashville up-and-comer brings out his guitar for some of his set. Wed Feb 14 at Doug Fir, 830 E Burnside, w/Gibbz

REVA DEVITO

Portland soul songstress Reva DeVito is one of the townโ€™s shiniest rising R&B stars. For the last several years DeVitoโ€™s put out a bunch of cool โ€™90s-flavored urban pop and R&Bโ€”please see โ€œThe Moveโ€ (produced by KAYTRANADA), 2016โ€™s โ€œBabe Squad,โ€ and 2013โ€™s โ€œSweetest Taboo.โ€ Last year, DeVito and Los Angeles producer B. Bravo teamed to become Umii, and released an eight-track, aqua-themed album called This Time. Itโ€™s a real treat, with funk-infused joints like โ€œDangerousโ€ and the addictive โ€œMasquerade.โ€ The idea of surrendering to DeVitoโ€™s sultry vocals for a night sounds like the best option. Wed Feb 14 at Holocene, 1001 SE Morrison, w/Drama Duo, DJ Fritzwa

WES GUY DROPS LOVE JUNKY

After rocking the Thesis recently with his band the Pariahs, rapper Wes Guy is dropping a five-track R&B EP called Love Junky this week. โ€œThe ideology of love being a drug stems from a rough patch in my relationship two years ago,โ€ Guy explains in a press release, โ€œwhere I wanted to escape, but I was so hooked by the past highs (memories) that I couldnโ€™t fathom the current state of low points.โ€ Opening track โ€œLove Drugโ€ captures this perfectly, with emotive, guitar-driven production and lyrics about a relationship crashing alongside lines like, โ€œShe always keeps me high, though/She makes me lose my mind, though.โ€ Thereโ€™s also the ballad โ€œWhen We Lay,โ€ featuring vocals from Mai Mae of Fringe Class, and closing track โ€œAzul Skies,โ€ which focuses on the love of life and self-love rather than romance. Wes Guy raps throughout the project, but itโ€™s the smooth, easy-on-the-ears vibe of this EP that makes it reminiscent of soul. Sun Feb 18 at the Jack London Revue, 529 SW 4th, w/the Pariahs

Jenni Moore is a former music editor and hip-hop columnist and current freelancer at The Portland Mercury. She also writes about comedy, cannabis, movies, TV, and her hatred of taxidermy.