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At 24, Tyharra Cozier knows what she wants and sheâs making it happen. âI am blessed,â says the recent graduate of Portland Actorsâ Conservatory (PAC). With a BA in theater from Florida State University, Cozier describes herself as an âactorâs actor,â playing roles that are âemotionally draining but also catharticâ to model the potency of vulnerability. Sheâs also a youth instructor for the August Wilson Red Door Project and the co-founder, with fellow PAC graduate Monica Fleetwood, of Portlandâs new performance outfit, Syde-Ide Collaborations.
Cozier and Fleetwood have worked out a clear mission for Syde-Ide: They want to illuminate âthe marginalized lens through theatrical performance and visual art, inspiring conversation and action.â In late 2017, they decided to incorporate theater as well as dance, music, creative writing, and visual art. They wrote up a plan, obtained a business license, created a website, and got to work.
Their first production, a world premiere of New York playwright Liz Morganâs The Clark Doll, opened for a February run at Performance Works Northwest. Directed by Victor Mack, the story follows three Black women navigating in a universe of white fairy tales, Black womanhood, and ancestral trauma. The Clark Doll starred Cozier, Fleetwood, and Shareen Jacobs, in the roles of Sophia, a former slave; Natasha, a contemporary college student; and Judi, a roaring â20s performer. The actors moved about a dream-like set, donning masks, dancing, fighting, and singing, sometimes in front of a gauzily-projected Snow White, as they relayed their charactersâ struggles to escape societal and historical strictures, realize individual autonomy, and rejoice in the strength of sisterhood.
Cozier and Fleetwood want Syde-Ide Collaborationsânamed in homage to both âside-eyeâ and the Ides of Marchâto be a place that centers underrepresented voices. âWeâre not just a Black company,â Cozier says. âWeâre interested in the refugee crisis, Latinx, Native American, Muslim, and LGBT stories.â Among their plans for Syde-Ide is an annual summer festival that highlights new work, including at least one classical piece âturned on its headâ and a world premiere. âSyde-Ide was created out of a need to express those stories,â Cozier explains. âWeâre interested in taking risks. Weâre okay with people being uncomfortable, because thatâs how people learn.â
Syde-Ide has received solid support from the community in the form of press coverage, cash, and space. But the founders are interested in more than being âhot one minute and not the other.â They chose the word âcollaborationâ rather than the more typical âcompanyâ for their project, because they envision Syde-Ide as a creative space for all. âI want to go out and bring the community in,â Cozier says.