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Murakami of La Mancha

Volver: Almodóvar on Ghosts and Mojitos

FEW DIRECTORS inject their films with as much guilt-free pleasure as Pedro Almodóvar. From his arresting use of color, to the nuanced and exuberant performances he coaxes out of actors, to his use of music, to his engrossing scripts, with their dashes of magical realism and Spanish melodrama, Almodóvar’s movies possess a distinct capacity to […]

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