BLACK MILK Wed 6/20 Jack London Revue Credit: Delaney Teichler
BLACK MILK Wed 6/20 Jack London Revue
BLACK MILK Wed 6/20 Jack London Revue Delaney Teichler

Black Milk has been killing the game for more than a decade. Known for his innovative approach, the Detroit-born rapper/producerโ€™s new record Fever is his seventh studio album since his 2005 debut, Sound of the City. During his rise, heโ€™s collaborated with and been cosigned by living legends like Royce Da 5โ€™9 and the Rootsโ€™ Black Thought.

Lead single โ€œLaugh Now Cry Laterโ€ is just one example of how Fever feels like scrolling through an infinite news feed. The songโ€™s lyrics provide spot-on commentary about the ways in which the news cycle and social media impact the mental state of young people of color and their relationships. The characters in the music video burn sage, fill their home with plants, drink tea, light candlesโ€”hopeful gestures of supposed self-care. Yet they spend the bulk of their time interacting with their phone screens, video games, or absorbing TV instead of each other. An image of a Black manโ€™s tears and eerily bright eyes at the end of the video ends up feeling simultaneously terrifying and relatable.

But Fever also delivers sonically: Electronic soul production is layered with heavy guitar riffs on tracks like โ€œTrue Liesโ€ and โ€œDiVE,โ€ while โ€œCould It Beโ€ and โ€œWill Remainโ€ feature smooth, danceable production. Perhaps my favorite song on the album is closing track โ€œYou Like to Risk It All / Things Will Never Be,โ€ with its beautiful keys, synth, and euphoric vocal effects. Black Milkโ€™s Fever never sounds abrasive or explosiveโ€”with topical lyrics and fleshed-out melodies, itโ€™s an example of his continuously inventive spirit. Now on his โ€œFever Tour,โ€ Black Milk is bringing along the Nat Turner live band from 2016โ€™s The Rebellion Sessions and having Portlandโ€™s cosmic-soul outfit Brown Calculus open the show.

Jenni Moore is a former music editor and hip-hop columnist and current freelancer at The Portland Mercury. She also writes about comedy, cannabis, movies, TV, and her hatred of taxidermy.