Credit: TODD WALBERG

Boone Howardโ€™s charm is a blend of his misfit stage persona and his musical talents. Never has this magnetism sounded so gloriously despondent as on his new LP, The Other Side of Town.

Howardโ€™s whoโ€™s-who ensemble of Portland ringers (members of the Domestics, Hustle and Drone, Howardโ€™s former band the We Shared Milk, and Minden) conspire to transcend the confines of dark indie-pop and move into something headier. Lurking within the albumโ€™s gloomy vibes, the hypnotic opening track โ€œSatanโ€ owes inspiration to OK Computer atmospherics. Howard sings the phrase โ€œYouโ€™re not gonna leave a markโ€ in whatโ€™s perhaps a moment of false bravado, considering the recordโ€™s subject matter is largely centered around the fizzling of a romantic relationship.

He confronts patterns of self-abuse on the dreamy โ€œWouldnโ€™t Believe It,โ€ with swirling feedback approximating the confusion of a post-rager dawn. โ€œHalf a Lifeโ€ is disguised as a piano-led tear-jerker, but also features Howardโ€™s smarmy lyrics and tough-living croon. Later, the โ€™70s rock murmur of โ€œI Donโ€™t Even Know What It Isโ€ explores the deep misunderstanding of the proverbial โ€œitโ€ with emotional non sequiturs over murky pop. He sounds like a red-eyed Julian Casablancas roaming an empty room and singing to himself. Itโ€™s satisfying, despite the songโ€™s inherent aimlessness.

Howardโ€™s theatrical unpredictability in a live setting is measured in self-afflicted microphone hits to his head and dramatic collapses to his knees. Though sometimes lewd, his lyrics and tender delivery contradict everything youโ€™re expecting. This symbiosis between the two Howardsโ€”one a lovesick balladeer and the other an alleyway street poetโ€”is portrayed dutifully throughout The Other Side of Town.

The albumโ€™s triumphant finale, โ€œStaring at the Sun,โ€ offers a full-bodied aural onslaught from Howard and his band of merry pranksters. Warm organs, splashy drums, and wild yelps crash into each other like a great explosion of rock โ€™nโ€™ roll bombast. Itโ€™s a thrilling bookend to an album pocked by so many psychological crags.