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Heavy fuzz and hissing guitars course through the Portland band’s debut.
The Portland band’s sophomore album is more focused (though still chaotic).
The beloved indie folk project hasn’t lost its gentle power.
The Portland art-punk band’s latest is taut and thoughtful.
Mope Grooves’ Vanished documents moonlit fear.
Møtrik’s new album Safety Copy revs up the rock.
Candace returns with heavy-lidded lo-fi on New Ruins.
Marmoset’s 10-song compilation interprets century-old songs.
On Mo Troper’s Exposure and Response, cynicism never sounded so sweet.
On One Go Around, Jeffrey Martin is fluent in the language of the crestfallen and heartbroken.
Forgive me for taking this long to fully absorb the recent David Bowie box set, the 12-CD (or 13-LP) Who Can I Be Now? (1974-1976), which came out at the end of September. The box documents the discursive middle years of Bowie’s legendary decade—that decade being 1970 to 1980, where virtually everything he set to […]
A recent New York Times “Popcast” discussed the phenomenon of jazz concerts taking place inside of museums, an oddly stately—if not outright stale—setting for jazz’s live vibrancy and subversive quality. The podcasters were obliged to briefly harrumph and haw about the juxtaposition, but they had to eventually concede that, in the year 2016, a museum […]
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