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Posted inThe Jeff Goldblum Issue

Letters to the Editor: “I Too Have Made It Through All These Years with Generous Helpings of the ‘Blum.”

RE: “Jeff Goldblum’s Psychosexual Power” [Film, June 22], Megan Burbank’s erotic contribution to last week’s film sectionโ€”a section that, for one beautiful week, was devoted entirely to the life and works of Jeff Goldblum.Yes. And I appreciate the commitment of the Mercury film section to Jeff Goldblum. (I might have also had a thing for […]

Posted inThe Jeff Goldblum Issue

Jeff Goldblum A to Z: The Ultimate Filmography of Our Greatest Living Actor

Take a good, long look at those beautiful, beautiful fingers. Adam Resurrected (2008)“What’s that?” you say. “I’ve never heard of a Jeff Goldblum movie called Adam Resurrected!” That’s probably because in Adam Resurrected, Goldblum plays “the funniest man in Germany”โ€”a circus performer who, after surviving a concentration camp, finds himself in an asylum for Holocaust […]

Posted inThe Jeff Goldblum Issue

The Saddest Day in History: The Day We Thought Jeff Goldblum Died

Not only is Jeff Goldblum amazing in bed, but he’s also not dead. It was Friday, June 26, 2009. It was morning. We were all reeling from the previous day’s devastationโ€”the death of Michael Jacksonโ€”when news outlets began to report that another cherished star had unexpectedly died: This time, it was beloved actor and “friend […]

Posted inThe Jeff Goldblum Issue

Jeff Goldblum’s Psychosexual Power Will Hold You in Its Thrall

Jeff Goldblum does not kowtow to intergalactic terrorists. I first saw Independence Day in 1998, during Christmas vacation. It was while watching satellite technician David Levinson save the world from intergalactic terrorism that I first became aware of the confusing allure of Jeff Goldblum. I was 10. Jeff Goldblum was a fortysomething nerd in Rivers […]

Posted inThe Jeff Goldblum Issue

Can You Talk Like Jeff Goldblum? Spoiler: No

Jeff Goldblum is a friend to all creatures. The problem with writing about Jeff Goldblum’s speech patterns is that the things that make them so distinctiveโ€”the spoken italics, the stutter-step changes in pitch, the sense that he’s parodying his own line readings, sometimes in the middle of said lineโ€”are almost impossible to replicate in print. […]

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