The Sandy Hut is not dead.
News of the sale of the inner Northeast Portland dive bar—which temporarily closed its doors on March 1—broke earlier this week, with a report appearing at Willamette Week before the sale was finalized. That deal did go through to completion on Tuesday, and today, the new owners, Warren Boothby and Marcus Archambeault, clarified their intent with the purchase as well as providing some indicators for the future of the longtime bar, which is iconically perched on the triangular wedge at NE Sandy and 14th Avenue.
The business’s previous owner, John Berning, has been running the current incarnation of the Hut for the past 15 years or so, but the bar itself dates back 92 years. Berning’s tenure saw many changes to the building, including painting the exterior purple and introducing various food menus over the years, then eventually more or less eliminating them. From what Archambeault and Boothby told me, Berning had been happy with running the business for the past decade and a half, but was reaching a point where he was ready to move on; Berning casually approached the two about the possibility of a deal after seeing what they’d done with Club 21 a little further up Sandy.
The Sandy Hut building itself, however, is owned by the Manza family, whose relatives originally opened the place and operated it as a somewhat swanky night spot for many years. The Manzas will continue to own the property as Boothby and Archambeault run the new business, and they’re all working closely together to provide the historical context and background that will bring the bar into the future.

“We’re going to get some historical items from [the Manzas], and kind of showcase them,” says Boothby. “Some photos of the family, some old knickknacks, and we’re going to look at their old menu items that they had from when it was the Wolf’s Den and was really in its heyday. And use those for inspiration.”
“We’ve heard a little bit about a couple ghosts that live in there, some resident ghosts,” adds Archambeault.
Archambeault and Boothby tell me that Terri Manza is a lifetime Portlander raised on Division Street, and she was bothered by the development that took over the neighborhood of her childhood. She was pleased with what the two had done with the Double Barrel bar at 21st and Division, and how they reverted the property back to some of its original luster. “We got a lot of inspiration from the old-schoolers in that neighborhood,” says Archambeault. “We wanted to pay homage to the old Division by making a place that is a local place, an old-school place.”
A similar restoration is in store for the Sandy Hut, although Boothby and Archambeault are quick to mention that they’re not looking to open a time capsule or make the bar excessively retro. “Our main goal is to continue the Sandy Hut for another 100 years,” says Boothby, “and the Manzas’ family legacy is to keep it going for as long as possible. And we’re all in agreement about that. That’s why negotiating a lease with them and talking to them went so well, because we’re all on exactly the same page. And being the ones to be able to do that, for Marcus and I, it’s really an honor. The real story for us is: ‘Precious historical dive bar gets saved, gets a new life.’ And we have an agreement with the Manzas that we’re going to keep this thing going, and it’s their building and that’s what they want, too. So it’s a great partnership for all of us.”
Some additional facts:
• The Sandy Hut will stay closed for about a month as the upgrades are made. These include removing the purple paint on the outside walls (a relatively recent development in the Hut’s 92-year history) and making much-needed improvements to the bathrooms and vintage coolers behind the bar. Compared to the extensive work the team did on Club 21 a few years ago, they say the Sandy Hut is in good shape.
• Not a damn person is going to touch that sign, a spectacular neon creation that was one of the main draws for the new owners.
• Archambeault and Boothby are currently in talks with the existing Sandy Hut staff to see if it makes sense for them to continue on in its new incarnation.
• There are glass tiles by the building’s original door at the tip of the triangle. They’re going to try to restore those in order to let light in.
• The Al Hirschfeld mural, which you may not have noticed, is one of two known to exist (the other is in the Frolic Room in LA). It will be emphasized and brought back to its former glory.
• There will be an actual working food menu, with perhaps some references to the Hut’s past as a somewhat upscale joint where folks like Sammy Davis, Jr. and Neil Diamond would reportedly drop by. Steamed clams? They’re not sure yet.
• Shuffleboard will be making a return. They’re currently searching for the right table. There will be other games, too, including lottery and Keno.
• Will they still serve Jell-O shots? Yes!
• The stage will be removed, and they’re undecided about the future of live music at the Hut. As Archambeault says, “We haven’t quite hashed it out. We’re interested in running bars and having people come drink at the bar. We’re not super familiar with [putting on] shows.” The two clarify that there will still be occasional shows at the nearby Club 21, just less frequently—perhaps once a month or so, and that they will be special events, accordingly.
• The prices will still be cheap. Boothby says that with the Hut, as well as their other bars (Club 21, Double Barrel, Gold Dust Meridian), they’re interested in cultivating a “diverse clientele—with people that are young, old, new money, no money.”


I was only there once, years ago, before Jimmy started booking shows but have been there quite a few times since so if the music goes I most likely won’t be back. I’ve only been to Katie O’s once since they stopped having shows, I went back for the triple decker reuben…
I think it would advantageous to consider still doing shows. Portland needs great small rooms for bands to play. With so many awesome bar/ venues shuttering I think the masterminds behind Club 21, Gold Dust and Barrel Room would make great venue owners with the right booking agent and promoter.
Please consider.
dont take out the stage thats what has made the place great!
It’s great that they want to save the business, try and be all nostalgic n’ shit… but you can’t buy authenticity. The real Sandy Hut, just like the real Club 21, is dead. “Saved” or not, the new clientele will be “slumming”. Bring on the faux-ironic denim and PBR trucker hats.
I know you all probably can’t muster many tears for a smattering of vanished day-drinkers and video poker addicts, and I’m not sure I can really claim to either. But I think it’s an important distinction to be made, in this time of great transition– that there are bars that are genuinely seedy and shitty, businesses that have earned their reputations– and then there are those that just wish they had that sort of character. Thankfully for them, there’s always a fresh crop of young people who won’t know any better.
Love the Hut; and I’m glad this attempt to save this dive bar is happening. Also: please restore the steamed clams to the menu! It was always one of the weirdest/best things about the Handy Slut!
I love that I didn’t have to deal with someone putting a stage in that tiny-ass joint back when I lived in that neighborhood. It doesn’t make sense.
News to me that the mural is an Al Hirschfield. I only noted the enigmatic “color by Vera” in the bottom left hand corner.
I love seeing shows at The Sandy. It’s always entertaining. The first time I went to The Sandy was about a decade ago, and live music has taken the Sandy over top. The only reason I could see for putting a stop to live music would be if it was only bad bands who don’t bring a crowd. From what I’ve seen, this isn’t the case. It’s usually pretty full when there is a good band playing. Thanks. Joel Bocek
Clean it up all you want, it will ALWAYS be The Handy Slut. I will not be back without the bands.
i don’t give a shit about knick-knacks on showcase. you’re turning it into a geriatrics nostalgic circle-jerk. I want to see a place supporting portland’s music scene which year by year is seeing is venues close their doors.
Never came here before the live jamz and won’t be back if they are gone, there was a cool scene building up and a community of familiar faces. Bummer summer.
“…there will still be occasional shows at the nearby Club 21, just less frequently—perhaps once a month or so, and that they will be special events, accordingly.”
This is terrible, terrible news…
It doesn’t make sense to change anything when things were going well. Bands were bringing people in and the place was definitely having a happy moment.
I love all the people whining about bands going away. You people are what I consider newbies. Yes, on a rare occasion, they would move the pool table away and put on a show at the Hut back in the day, but it was a rare occasion. The place was full to the brim wtih trucker hats and PBRs seventeen years ago. Don’t act like it’s a new thing or that it’s a reinvention of character. New boss/same as old boss. They’re going to do what they’re going to do and it will be fine.
Taking out the stage is a mistake. Having bands play brings in new customers and gives local musicians a place to showcase their music. There are already too many solid small venues that are closing their doors either all together or just to shows. If the hut kept having shows I know people would recognize that and be more likely to come and check out the renovated space. If anything the new owners should host a reopening show to show people that the hut will still be a solid bar to rely on for good music and good spirits.