Since the advent of pocket-sized cameras that hold thousands and thousands of photos, everyone with the means to buy a smartphone can document their lives, editing and sharing images from around the world in seconds. Is this a good thing? Generally, yes. Does that make everyone a photographer? Absolutely not.
Those continuing to shoot film photography are the real photographers, archivists, and documentarians. Film is wildly expensive, as is developing that film if you don’t develop it yourself. Getting the shot (especially when the subject is in motion) adds up monetarily, as can the stacks of film negatives and developed film. The barriers to access are numerous when considering analog film photography, making the good stuff that much more precious, radical, and captivating.
And this is Portland, Oregon, we love analog 'round these parts and aren’t afraid to show it. Literally. Noise & Grain, a new exhibition of local analog concert and music photography opens on December 6 at Franklin FOTO Gallery and will be up through the end of the month. The exhibition, curated by musician and photographer Zach Putnam—bassist in Portland bands Tawny Blue and Anjali—embraces the grainy, blurry, washed out imperfections of the medium.
When asked why concert film photography excites him, Putnam waxes, “[Analog] photography and live music have a naturally symbiotic relationship.” A 2003 frame of Sleater-Kinney playing Crystal Ballroom is another show highlight, underlining Putman’s point when he reminds us that both film photography and live music “are all about perfect timing, after all.”








